The Who @ Cincinnati, OH 1979-12-03

 

LIMITED TIME / LAST TIME



https://pixeldrain.com/u/o6coZBpn

This is the show that still sends a chill down the spine of every concert goer who remembers. And there are still tragedies today. Just be safe and have an exit strategy. And watch this documentary.

https://youtu.be/tBhJBcS2IN8?si=AKTncsu2ACDRzAAN



The Who
Riverfront Coliseum
Cincinnati, OH
December 3, 1979
JEMS Master

Taping Gear: Teac M-100 > Sony 153SD (mono, Dolby B on) 
parts of 4 songs recorded with Uher Mic > Uher Cassette Recorder

Lineage: Master Cassettes > Nakamichi 670 azimuth-adjusted playback > Nakamichi outboard Dolby B decode > Wavelab 96/24 1-ch mono > FLAC front-end (downsampled to 16/44.1)

Taped and transferred by JEMS 

Disc one (61:57):
(1)  Substitute (3:13)
(2)  Can't Explain (3:38)
(3)  Baba O'Riley (6:00)
(4)  The Punk and the Godfather (7:24)
(5)  My Wife (7:18)
(6)  Sister Disco (5:34)
(7)  Behind Blue Eyes (4:33)
(8)  Music Must Change (8:20)
(9)  Drowned (9:10)
(10)  Who Are You (6:43)

Disc two (54:20):
(1)  5:15 (5:54)
(2)  Pinball Wizard (3:18)
(3)  See Me Feel Me (5:42)
(4)  Long Live Rock (4:41)
(5)  My Generation Bolero (4:34)
(6)  I Can See For Miles (4:51)
(7)  Sparks (6:12)
(8)  Won't Get Fooled Again (10:18)
(9)  Summertime Blues (4:11)
(10)  The Real Me (4:35)

There are no fades applied, so if you choose to burn to CD these breaks are only a suggestion.

Pete Townshend: vocals, guitar
Roger Daltrey: Harmonica, Vocals
John Entwistle: Vocals, Bass
Kenney Jones: Drums
John Bundrick: Piano, Keyboards
Howie Casey: saxophone
Reg Brooks: rombone
Dave Caswell: trumpet

Perhaps the most tragic concert in the history of rock and roll.

The third night of The Who's Winter '79 tour is infamously known for the deaths of eleven fans outside the doors of the Riverfront Coliseum before the show. Wikipedia does a solid job of explaining the circumstances around what happened. They can be found here and we've included the text from that page in the torrent as well: http://en.wikipedia.org/wiki/The_Who_concert_disaster

The Who themselves went on and played their set, blindly unaware of what had happened until after the show ended. As with the show the night before in Pittsburgh, there were several firecrackers going off in the crowd which was again addressed by Pete. Despite not knowing what had occurred before the show, Pete and Roger tried (unsuccessfully) several times to get the crowd on the main floor to stop pressing forward. It was an extremely volatile situation inside as it was out, which may explain why the show actually wasn't canceled on the spot for fear of what the crowd might do.

Despite the terrible circumstances, there's no getting around that the Who's performance this fateful night was great, building on and surpassing the previous two nights shows. In "My Generation," Pete played his bolero for the first time on this part of the tour. Earlier, when introducing the new/additional musicians on stage, PT referenced other horn-section rock bands Chicago and Blood, Sweat and Tears, then dubbing The Who "Blood, Sweat and Shit." Samples provided.

When the band left stage after the main set, they were told by their management to play a shorter encore; the first sign something was amiss. After the encore they were told what had happened before the show. These terrible circumstances, obviously, cast a shadow over the rest of the tour. We drove to Buffalo the next day, not entirely sure whether there would be a show or not. There was, and the band addressed what happened in Cincinnati from the stage. But that's the next installment of our Who '79 Revisited campaign. For now, you can listen to the bizarrely unaffected performance in Cincinnati by a band that had no idea what had happened to their fans before the lights went down.

Tapeboy for JEMS

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Additional comments by ademotte:

This is perhaps the most important show in The Who's career for all the wrong reasons.  It was unfortunate that the poor crowd control efforts by the promoter tarnished the band's reputation for several years to come. The performance itself was quite good, and listening to it you can empathize with the band for doing their best to manage an out-of-control crowd.  

In terms of sound quality, I feel as though I say this with every JEMS torrent I post, but the sound quality is exceptional given the era in which it was recorded.  My guess is that J was crunched on the floor and doing his best in a very hostile setting.  There are only minor moments of crowd interference that don't really distract one from the music; the overall sonic range is very good with good balance and a great live feel.  This is the third version of this recording I've heard, and it's by far the most interference-free and best-sounding of the bunch.  

Many thanks to the JEMS team for their efforts in digitizing this tour, and in particular sharing this historically significant document.  More to come from this run shortly.

This 16/44.1 version can be directly burned to CD without conversion.  Mp3 samples are included in the comments.